Interview: Seth Pt. 3 [of 3]

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Some things just can’t be helped. Sitting out in front of the San Diego Convention Center, surrounded by throngs of showgoers decked out in their finest spandex, the conversation almost inevitably returns to the state of the superhero in contemporary comics, even with an artist whose life and work and are seemingly inseparable from sequential art of the past.

A line of questioning about Seth’s work on the gorgeous Complete Peanuts soon takes a turn for the superheroic when the artist mentions a childhood fascination with Marvel Comics, and a conversation about Jack Kirby progressing into philosophies regarding the negative pop cultural impact of Alan Moore’s Watchmen.

[Part One][Part Two]

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Interview: Seth Pt. 2 [of 3]

Categories:  Interviews
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From his book design to his brand of cigarettes, let there be no debate that Seth is a man of complete and largely uncompromised style, a fact that has made his art some of the most instantly recognizable cartooning work of this decade. The artist practically recoils at the mention of editorial oversight when it comes to his comics, by anyone from The New York Times on down.

In this second of our three part interview, we touch on that exact topic, as it pertains to his most recent book, George Sprott, and his work on the design of Fantagraphics’ Complete Peanuts.

[Part One]
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