Interview: Jay Lynch Pt. 3 [of 3]

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[Art by Frank Cammuso]

Before his reinventing himself as a children’s book author through Toon Book properties like Otto’s Orange Day with Frank Cammuso and the Dean Haspiel collaboration, Mo and Jo Fighting Together Forever, Jay Lynch was a driving force in the Chicago’s underground comics movement of the early-70s, publishing Bijou Funnies, which brought the comics world pioneering works by the likes of Gilbert Shelton, Art Spiegelman, and, of course, Lynch himself.

In the interim years, Lynch has worked on a wide range of projects, both comics and not, including the Spiegelman-created Wacky Packages series for Topps, and its successor, The Garbage Pail Kids. The artist also contributed to Mad, shortly after the return of counter-culture cartooning legend, Harvey Kurtzman.

In this final part of out interview with Lynch, we discuss working on Mad, whether today’s children’s books are a bit too safe these days, and the battle to stay afloat financially.

[Part One] [Part Two]
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Interview: Jay Lynch Pt. 2 [of 3]

Categories:  Interviews
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His latest work, a collaboration with Act-I-Vater, Dean Haspiel, is hardly Jay Lynch’s first foray into the world of children’s entertainment. The book, Mo & Jo Fighting Together Forever, is Lynch’s second for Francoise Mouly’s Toon Books imprint. It’s also the latest in a long line of output aimed at children, including Garbage Pail Kids packs, My Little Pony sticker books, and lyrics for kids songs—a far cry from the latter day output of many of his late-60s underground comics contemporaries.

In this second part of our interview with the artist, we discuss the state of children’s books, X-men’s sales figures, and why his days drawing Duckman comics will also make him think of OJ.

[Part One]

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