The Daily Rock Hatch: The Mythbusters

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Adam Savage and Jamie Hyneman share what is arguably the greatest geek job on the planet. Sure it’s a bit of an overstatement to suggest that they blow up stuff for a living—but just a bit. The duo’s expertise in the art of special effects landed them a gig on basic cable wherein they deconstruct popular myths in the most exciting—and fun—manner possible.

Suffice to say, the show, which exists at a crossroads between an appreciation of science and a general love of explosions, has taken off in a huge way amongst the geek set, a fact the Discovery Channel happily capitalized upon with a huge promotional push at this year’s Comic Con. It was hard to work more than a few feet on the showroom floor without spotting a slew of giant Mythbusters swag bags.

During the show, we had the opportunity to chat up the duo in Savage’s hotel suite, to get their impressions of this whole comic book thing.

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Asterios Polyp by David Mazzucchelli

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Asterios Polyp
By David Mazzucchelli

davidmazzucchelliasterioscoverAt some point we all become ambassadors—to our parents, to our friends, to strangers we meet at parties. We give recommendations and lend out worn copies with bent spines. We attempt to justify our passions as more than simple guilty pleasures. There is no guilt here. This is art.

Few statements in this world are more subjective than that last one, of course, so, for the hard sell, we compile lists of game changers—the Spiegelmans, Satrapis, Wares, and Moores—authors whose work has convinced the critics to assess the medium’s finest work alongside the world’s high art and literature. Because, after all, if a book is high brow enough to win over some stodgy old book critic at The New York Times, surely it will do a number on mom and dad, right?

Of course it’s a touch too early to bandy about a term like “game changer” for Asterios Polyp—that’s a distinction that will have to be bestowed upon the book by future artists. Despite the still drying ink on the title’s first printing, however, it doesn’t seem too early to add David Mazzucchelli’s new book to the personal lending libraries of some of this medium’s finer works.

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