
[Above, Doctorow poses as the XKCD version of himself, as found on Flickr.]
Three months after originally scheduled, Cory Doctorow will finally be landing in New York City this week, to hold court at a benefit for those tireless champions of First Amendment rights in the sequential art world, The Comic Book Legal Defense Fund. The reason for the delay wasn’t Doctorow’s fault, of course—or anyone’s, really, but rather the sort of last minute misfortune that’s capable of derailing even the best of intentions.
Sometimes, however, these matters are blessings in disguise. When Doctorow appears at the Helen Mills Theater in midtown Manhattan, this Thursday, the event will be more than the simple book reading planned for his original appearance, which was more or less an extension of the North American tour for his latest novel, Little Brother. This time out, the writer will be joined on-stage by DJ Spooky, whose recent volume, Sound Unbound, features contributions from a number of prominent digital culture theorists, including Doctorow himself.
As a writer, Doctorow wears a number of different hats, including that of an award-winning science fiction novelist; staff writer for the mega-popular Boing Boing group blog; and most recently, graphic novelist, having released a number of works for IDW and contributed to Kitchen Sink’s Haunted Mansion anthology.
Doctorow’s credentials as a guest spokesperson for the CBLDF go beyond his writing expertise, however. The author is arguably equally well-known for his work with free speech groups, including, most prominently, Creative Commons, which has licensed all but one of his books.
When we sat down with Doctorow earlier today, we planned on discussing the CBLDF almost exclusively, only to embark on any number of tangents along the way. Fortunately, however, when it’s Doctorow talking, half the fun is in trying to guess where the conversation ultimately will end up.
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