Mar 02, 2009
At a comics convention, an early stages movie deal is something of a 300-pound gorilla—something everyone wants to discuss, but still tries hard not to jinx. In this industry we’ve seen countless optioning deals come and go, so when a creator announces that they’ve got the ball rolling on a project, it can be difficult to broach the subject.
The Goon creator, Eric Powell, while slightly apprehensive, seems fairly confident in a recent deal struck for his most famous creation. And really, the artist has every right to be. After all, he’s got David Fincher in his corner. A self-proclaimed fan of the Dark Horse series, The Curious Case of Benjamin Button director has signed onto the project as a producer. Powell has begun working on treatments for the film, and, by all accounts, the early animation looks extremely promising.
In this second and final part of our interview with Powell, we discuss working for the Hollywood machine and what it’s like letting his creation go, ever-so-slightly, in order to explore mediums outside the insular comics world.
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